John Dunning, Canadian Film Pioneer, Dies at 84

John Dunning, a co-founding father of Canada's pioneering Cinepix film company who aided jump-start the careers of David Cronenberg and Ivan Reitman, died Sept. 19 in Montreal carrying out a extended illness, Lionsgate Entertainment introduced Thursday. He was 84.Related Subjects•Obituaries Cinepix, launched by Dunning and partner Andre Link in Montreal at the begining of sixties, had its finest success in 1979 with Reitman's Meatballs, the initial huge hit for Canadian film. It made $43 million within the U . s . States after Vital selected up for distribution. With Dunning and Link still within the helm, Cinepix, which possessed a NY distribution arm together with a controlling fascination with an animation house, was bought in 1997 by Lions Gate and re-named Lions Gate Films. In 1962, Dunning -- who at 17 needed inside the family's small exhibition business when his father died out of the blue -- and Link produced their first movie, Valerie, a stylish comedy that acquired greater than $millions of within the box office and held the Quebec box office record for thirty years. It absolutely was one of the sexploitation films (in Canada, a genre known to as "walnut syrup porn") that Cinepix would first gain prestige. The business also devoted to horror films, and Cinepix produced two early Cronenberg features: 1975's They Came from From Inside (also known as Shivers) and 1977's Rabid (commonly known as asRage), starring Marilyn Chambers. "John Dunning might be the unacknowledged godfather from the entire generation of Canadian filmmakers," Cronenberg mentioned in June when the Toronto Film Experts Association honored producer. "I consider him my movie mentor." Dunning and Link hired Reitman in 1974, which he produced such Cinepix films as Dying Weekend (1976), Ilsa, Tigress of Siberia (1977) and Blackout (1978) before scoring large with Meatballs, the summer season-camping comedy starring Bill Murray. Denys Arcand, Don Carmody, Ray Kent and Vincent Gallo were among other filmmakers that have been nurtured through the organization. Dunning also produced or executive produced such films since the Mystery in the Big Hockey Puck (1975), Dying Weekend (1976), My Bloody Valentine (1981) and Zoysia '66 (1998). More recently, he executive produced the Bloody Valentine remake this past year. Dunning and Link were honored within the 1993 Genie Honours for outstanding contributions for the business of filmmaking in Canada too as with 2007 were granted having a Canadian Film and tv Hall of Fame. Children include his wife Jean boy Greg and daughter-in-law Bonnie and grandchildren, Lia and John. Something is positioned for 1 p.m. Sept. 30 within the Mount Royal Funeral Complex in Outremont, Quebec. Related Subjects Obituaries

Hacking Update: Justice Department Asks News Corp For Info In United kingdom Bribes Situation

Can News Corp Escape The Scandal Untouched? U.S. prosecutors are checking to ascertain if News Corp violated the Foreign Corrupt Practices Act. Theyhave asked for information on alleged bribes compensated by its employees to United kingdom police. The inquiry occurs the heels of the Justice Department and FBI probe looking into claims that sufferers from the Sept. 11, 2001, attacks had their phones compromised by News Corp employees. The letter doesn’t carry exactly the same legal pressure like a grand jury subpoena, which may compel an answer under law. News Corp may be the target of three United kingdom police research along with a Parliamentary probe on phone hacking by reporters in the News around the globe. The organization shut lower the newspaper and abandoned BSkyB takeover plans after accusations that it is reporters erased voice mails from the killed schoolgirls phone. Working In London meanwhile, Scotland Yard stated it won’t pressure reporters in the Protector to show their sources around the bribery and make contact with hacking cases in the end.They'd searched for what they are called underneath the United kingdom’s Official Secrets Act, used to prosecute spies. This decision does not necessarily mean the analysis continues to be came to the conclusion, law enforcement stated inside a statement. The department stated their probe happens to be about whether a officer has leaked information and gathering any evidence that proves or disproves that. The Daily Telegraph and Sky News have reported that the detectives arrest was associated with information provided to The Protector newspaper. A court was scheduled for Sept. 23.

Smallville Showrunners John Billings & Kelly Souders Join The Key Circle

Former Smallville showrunners John Billings and Kelly Souders, who led the longrunning drama’s final seasons, have became a member of the CW’s new genre series The Key Circle. The gig is talking to, a minimum of for the time being. The Key Circle showrunner Kevin Willimason can use the assistance — he's 2 series around the air, Circle and also the Vampire Journals, that they is co-running with Julie Plec. The Key Circle got on an excellent start last Thursday with 3 million audiences, possessing all its Vampire Journals lead-in.

Hop-o'-My-Thumb ((Le petit poucet))

A Flach Film production, in association with Arte France. (International sales: Pyramide Intl., Paris.) Produced by Jean-Francois Lepetit, Sylvette Frydman. Directed by Marina de Van. Screenplay, Bertrand Santini, de Van.With: Ilian Calabert, Rachel Arditi, Adrien de Van, Denis Lavant, Valerie Dashwood, Thomas Momplot, Orfeo Campanella, Lilian Dugois."Grim" is the word that best describes French helmer Marina de Van's take on "Hop-o'-My-Thumb," Charles Perrault's dark fairy tale about a diminutive boy deserted by his parents who compensates for his stature with heightened intelligence. Produced by the team behind Catherine Breillat's Perrault adaptations "Bluebeard" and "Sleeping Beauty," this telepic has a similarly tight budget and generic period look (mainly invoked by costumes) while again fusing a femme helmer's sensibilities -- here including flesh, violence and personality transfer -- with an age-old morality tale. Too grisly for children, "Thumb" should hop to a select few fests. Story's been filmed before in Gaul, including as a 2001 kid pic by Olivier Dahan ("La Vie en rose"). De Van ("In My Skin") brings an earthy matter-of-factness to the brutal tale of the titular boy (Ilian Calabert, alright), who, with his four older brothers -- down from Perrault's six -- has to face a human-eating ogre (Denis Lavant, hamming it up) after their dirt-poor and (unconvincingly) desperate folks (Rachel Arditi, Adrien de Van) have abandoned them in the woods. Gliding HD lensing is crisp, special effects low-key, and the score's darker undercurrents just right.Camera (color, HD), Vincent Mathias; editor, Mike Fromentin; music, Alexei Aigui; production designer, Francois-Renaud Labarthe; costume designer, Marielle Robaut. Reviewed at Venice Film Festival (Horizons), Sept. 3, 2011. Running time: 83 MIN. Contact Boyd van Hoeij at news@variety.com

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ABC Family Cancels Nine Lives, Picks Up 12 More Episodes Of Lying Game

UPDATED: I hear that ABC Family has canceled freshman drama The Nine Lives of Chloe King after one season, while giving back 12 order to another freshman, The Lying Game. Both are based on Alloy books and have been softy in the ratings. Nine Lives opened low in June with 2.2 million viewers. The Lying Game launched last month with 1.4 million viewers. ABC Family’s breakout summer hit, Switched at Birth, has been renewed for a second season.

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Exactly What Do Creative Arts Emmy Wins Mean For That Systems On TV's Large Evening?

Juan Carlos Fresnadillo's Burglars is definitely an atmospheric mental horror hybrid that samples from lots of genre staples without fully carrying out to them. Prefer of latest The spanish language fright fare, Pan's Labyrinth, it harnesses the vulnerability and effective imagination of kids. It throws inside a franchise-ready monster-movie boogeyman known as Hollow Face, as well as adds an indication of possession and ecclesiastical intervention that harks to Alien. In which the film falls apart is within attempting to steer this nightmare from dark fantasy in to the cold light of logic.Related Subjects•Toronto Worldwide Fil... Following his 2001 domestic debut, Intacto, Fresnadillo arrived a plum assignment with 28 Days Later,capably obtaining where Danny Boyle left off in the terrifying zombie spree, 4 weeks Later. Co-funded by Universal Pictures Worldwide, Intrudersshows again that Fresnadillo can deliver chills, sustain a mood of potent dread and ratchet up suspense as a result B-movies demand. But Nico Casariego and Jaime Marques' shaky script allows him lower. PHOTOS: 13 Movies to understand in the Toronto Film Festival Within the terrific prologue, occur The country, youthful Juan (Izan Corchero) creeps themself out before bed time by telling an incomplete monster story to his mother Luisa (Pilar Lopez p Ayala) in regards to a lonely ghoul that lives within the shadows and wishes to tear off and put on children's faces to be able to get people to love him. Juan's fears become viscerally real when he slips outdoors within the lashing rain to retrieve the household cat, but witnesses a hooded, apparently faceless figure scrambling in the scaffold and entering the home. As the time change isn't immediately obvious, the experience jumps to London 3 decades later, in which the same spectral presence begins negatively effecting 12-year-old Mia (Ella Purnell) after she finds the start of a young child's hands-written story hidden inside a tree trunk near her grandma and grandpa' house. Her father, construction engineer John Farrow (Clive Owen), attempts to soothe her anxieties by reassuring her that monsters are only able to harm children who have confidence in them, but Hollow Face soon becomes impossible to dismiss. The title provided to John's daughter is much more likely a fanboy in-joke than the usual direct jerk to Rosemary oil's Baby, considering the fact that Intrudershas little kinship to that particular classic, in order to Polanski paranoia generally. It treads an ambiguous line between violent reality and frightening imagination because it cuts backwards and forwards between Luisa and John's tries to safeguard their kids. Luisa turns towards the chapel for help, but supportive Father Antonio (Daniel Bruhl) proves ineffectual. John will get no backup from his disbelieving wife Sue (Carice Van Houten), an underwritten character, or from Mia's psychiatrist (Kerry Fox) once the traumatized child stops speaking. But all of the new house-security safeguards can't keep Hollow Face away. COMPLETE COVERAGE: Toronto Film Festival Casariego and Marques' script will get repetitive as both children experience multiple versions on a single nocturnal encounters, even when Fresnadillo handles these moments with skill. But things get progressively shaky once the threads from the parallel plotlines are attracted together, using a link that some audience people will place ahead of time. The climactic action lurches off on the visual tangent similar to Guillermo Del Toro's work, as Mia's bed room comes alive having a seething mass of inky tendrils. It's an intriguing indisputable fact that exactly the same trauma hatches a vivid nightmare that is constantly on the develop within the active minds of kids over two decades. However the resolution nevertheless is unfulfilling, taking apart the film's supernatural fundamentals using dreary psychology. This isn't an actress's movie, but Owen gives warm authority towards the hero figure, even when, for any guy together with his own devils, the smoothness takes way too lengthy for connecting the dots. Cinematographer Enrique Chediakcooks up a superbly brooding look, with a lot of darting movement, and Nacho Ruiz Capillas' editing ups the agitation, an excellent that's greater than a little overstated in composer Roque Banos' worked up, string-heavy score. Venue: Toronto Worldwide Film Festival Production companies: Apaches Entertainment, Antena 3 Films Cast: Clive Owen, Carice Van Houten, Daniel Bruhl, Pilar Lopez p Ayala, Ella Purnell, Izan Corchero, Kerry Fox, Hector Alterio Director: Juan Carlos Fresnadillo Screenwriters: Nico Casariego, Jaime Marques Producers: Enrique Lopez-Lavigne, Belen Atienza, Mercedes Gamero Executive producers: Jesus p la Vega, Ricardo Garcia Arrojo Director of photography: Enrique Chediak Production designer: Alain Bainee Music: Roque Banos Costume designer: Tatiana Hernandez Editor: Nacho Ruiz Capillas Sales: UTA (U.S.)/Universal Pictures Worldwide No rating, 100minutes Toronto Worldwide Film Festival Clive Owen Worldwide

'Breaking Dawn' Trailer Commentary: All You Need To Know

We are just two several weeks from "Breaking Beginning Part 1," therefore the watch for further "Twilight" goodness is not too lengthy. However for fans from the supernatural romance saga, this is an excruciating wait, especially because of the latest tease-filled "Breaking Beginning" trailer that opened now. In justness, though, director Bill Condon gave fans precisely what they wanted: wedding ceremonies, honeymoons, lots of action far more of danger for poor Jacob Black. It had been a legendary trailer with a great deal to unpack, to keep everyone completed on all you need to know of the new "Twilight" flick, MTV News' Jocelyn Vena and that i sitting lower and dissected the most recent "Breaking Beginning" trailer. You can view the recording above its the highlights, or take a look at Jocelyn's set of what you ought to know in line with the new "Breaking Beginning" trailer. For my part, the large takeaway is: this trailer is about acceptance. Individuals who initially opposed Bella's decision to pursue a existence with A Vampire Named Edward from her own father to Edward's number 1 rival, Jacob appear to become whizzing another stay tuned this trailer, even when it is a melancholy one. But it's not only Bella's sex life that requires acceptance, avoid the fate of her and her unborn child's existence hanging within the balance. Buddies become opponents and opponents become buddies as people accept a realistic look at Bella's situation: our hero is within danger, and some way, something should be done. Most importantly, the theme of acceptance carries to the "Twilight" fandom. We are still at least a year from the franchise's final movie, however in the grand plan of things, the finish of "Twilight" is not this type of remote reality. Yes, this latest trailer is chock filled with goodness for fans from the series but it is also an indication of things visiting a detailed. Whether you are prepared to believe that reality well, your mileage can vary. Inform us what you believe within the comments section as well as on Twitter!

Rankings Corporate Jungle: OK Debut For Ringer, 90210 And Being a parent Premieres Lower

The CW brass considered the brand new Sarah Michelle Gellar drama Ringer a self-starter, also it demonstrated them in its debut last evening. The mystery drama initially developed and piloted for CBS came 2.74 million audiences, jumping 68% from the lead-in, the 4th-season premiere of 90210 (1.six million). Ringer also introduced inside a larger, mostly older audience. In grown ups 18-49, the show was up from 90210 by 50% (1.2/3 versus. .8/3), during grown ups 18-34, the benefit was 22% (1.1/3 versus. .9/2). Versus CW’s series debuts last fall, Ringer matched up the performance from the now-defunct Hellcats and was lower in the premiere of Nikita (1.4/4), though Nikita were built with a much more powerful lead-along with The Vampire Journals. Ringer was the CW’s most-viewed enter in the timeframe in 3 years, because the series premiere of 90210 in September 2009. Since last evening was the CW’s first evening of original programming after three several weeks of repeats, the CW can give Ringer more sampling by re-running the premiere on Friday and again next Monday at 9 PM. For 90210, it had been lower 18% as a whole audiences in the series’ debut last fall if this broadcast within the Monday 8 PM slot. It had been on componen using the May season finale. Another series to premiere last evening evening was NBC’s Being a parent (2.3/6 in 18-49, 6.8 million total audiences), that was lower 15% from last season’s debut. As a whole audiences, the dramedy came its biggest audience since that time. Like last September, the Being a parent season opener adopted the ultimate performance show of America’s Got Talent (3.6/10, 13.two million), that was lower 8% from this past year although it was up 16% from a week ago hitting an eight-week full of the demo. (Talent is anticipated to shut a few of the rankings gap with this past year because the reality series is definitely modified up within the finals.) At 8 PM, the growing season and most probably series finale from it’s Worth What? (1.1/4) was lower 8% from a week ago to complement a set low. ABC airedWipeout (2./6), then ABC News’ Jackie Kennedy audio tapes special (1.5/4). CBS and Fox broadcast all repeats. NBC (2.4/7, 8.two million) won the evening in 18-49 while CBS (1.6/5, 8.9 million) remarkably capped the entire viewer competition without any originals.